Don't Judge Me
First of all, a disclaimer. I’ve been a judge for lots of them over the years. I’ve been one of a panel of judges for the UK Songwriting Contest (one of the biggest) the past few years as well as events for the West Coast Songwriter’s Association, Belmont University, Nashville Rising Star and many more.
Whats In It For Me?
So…as a songwriter, what’s in it for you? In a word “traction”. If you’re an up and comer you can raise awareness, put it on your website, mention it in the press and in connection with your gigs if you play out. Will a win change your life? Doubt it. Do publishers, producers and artists pay attention to the contests? Depends.
I haven’t seen one yet that offers life changing dollars for that big win. We’re not talking publishers clearing house or the lottery here. Usually some welcome gear, maybe some cash and in some cases even a single song contract.
As with anything you spend your money on, check out everything you can before you spend! Who’s behind it? Check the history of the judges as well as the people who run it. There are some bad ones out there. There are even ones who, in very small print, will own the publishing rights to winning songs. This is not a win folks. You want to hold on to that publishing with both hands for as long as you can.
The Good News
American Songwriter Magazine, Billboard, ASCAP and BMI, USA Songwriting Contest, UK Songwriting Contest, The West Coast Songwriter’s Song Contest, Nashville Rising Star are just a few of the ones that are great and can all offer some major traction both in their own use of social media coverage and the ability for you to do the same. Again, it’s about traction.
I coach writers all over the world and have had some major success with my clients not only winning but coming in at all major levels and some diverse categories. Believe me, even placing in a contest that has 10,000 entries can be just the affirmation that will keep you writing. My clients have won The John Lennon Songwriting Contest, local contests, WCS and this year alone, 3 winners in diverse categories in the UK contest. I’m proud to play a part in their development but I try to caution them that this is just a stepping stone .
My 2 Cents
What advice can I give? Choose your contest wisely. Don’t just enter every category you see. Number one, it can get pretty expensive and number two it’s just not the most productive way to get a result. I do talk to writers who have sent in as many as 20 songs in various categories. That’s a desperate move and again, $$$$$$!!!
Read the information carefully on each category. Is your song better suited to Adult Contemporary than Pop? Alternative than Country? Love song than the Open option? Be really objective with your entry. Does performance matter in the category you’re going for? Demo quality?
Lastly, and it’s a biggie, be gracious in defeat. Ive seen some pretty rough posts after results have been posted. “My song was 10 times better than the one that came in first”, “I sent in 10 songs and not one even placed” and my least favorite “all these things are fixed”!! Well, I’m a judge for some and if the fix is in, I’ve been left out :-) Seriously, the major ones are not fixed. I know many of the people involved and they are simply trying to help writers get better and get noticed.
Anytime art is subjected to voting or opinion you’re gonna get some public outrage and I get that. Contests are imperfect but if they can help you get noticed or just give you that bit of acclaim you need to write the next one then I’m all for ‘em.
So, do your homework and if a contest is for you, enter and good luck!!!
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Check out this interview in this edition of M Music and Musicians Magazine for stories behind a few of my songs!
About Mark Cawley
MARK CAWLEY IDOCOACH
Mark Cawley is a hit U.S. songwriter and musician who coaches other writers and artists to reach their creative and professional goals through iDoCoach.com. During his decades in the music business he has procured a long list of cuts with legendary artists ranging from Tina Turner, Joe Cocker, Chaka Khan and Diana Ross to Wynonna Judd, Kathy Mattea, Russ Taff, Paul Carrack, Will Downing, Tom Scott, Billie Piper, Pop Idol winners and The Spice Girls. To date his songs have been on more than 16 million records. . He is also a judge for Nashville Rising Star, a contributing author to USA Songwriting Competition, Songwriter Magazine, sponsor for the Australian Songwriting Association, judge for Belmont University's Commercial Music program and West Coast Songwriter events , Mentor for The Songwriting Academy UK, a popular blogger and, from time to time, conducts his own workshops including ASCAP, BMI and Sweetwater Sound. Born and raised in Syracuse, NY, Mark has also lived in Boston, L.A., Indianapolis, London, and the last 23 years in Nashville, TN.